Manduarisawa
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<p><strong>MANDUARISAWA - Journal of the History College of the Federal University of Amazonas (UFAM)</strong> was born from the concern of young academics who wanted to contribute and encourage the production of scientific knowledge in the Amazon with the objective of being a biannual, free and open access journal linked to to the Post-Graduate Program in History of the Federal University of Amazonas (PPGH-UFAM). The journal counts on the participation, in its editorial board, of undergraduate students of the Full Degree in History (UFAM) and the Postgraduate Program in History (PPGH/UFAM), the panel of reviewers is composed of professionals from All country. The Journal aims to publish articles, reviews, experience reports, interviews produced by undergraduate and graduate students interested in the field of History and other Human Sciences.</p> <p> </p>pt-BRManduarisawa2527-2640THE STATUS OF MAGIC IN THE CANTERBURY TALES (14TH CENTURY)
//periodicos.ufam.edu.br/index.php/manduarisawa/article/view/17488
<p><span style="font-weight: 400;">The book </span><em><span style="font-weight: 400;">The Canterbury Tales</span></em><span style="font-weight: 400;">, written by Geoffrey Chaucer (c. 1340-1400), an English poet and also an active traveler, tells the story of a group of people on a pilgrimage to the tomb of Saint Thomas Becket. During this pilgrimage, each character tells stories. Produced at the end of the 14th century, the work is an important historical source from which we can draw various questions about the men and women of the Middle Ages, due to the diversity of characters presented and the positions they held (monks, knights, merchants, nuns, among others). In the stories told to pass the time, a variety of knowledge from the medieval period emerges, such as theology, medical science, commerce and - the main one for this work - magic. This article seeks to elucidate, from the representations contained in some stories in Chaucer's work, what position magical practices (such as alchemy and astrology) occupied in the imagination, as well as in the daily lives of the medieval people.</span></p>Joao Alves
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2025-02-152025-02-159120The Parish Factory and the Bishop:
//periodicos.ufam.edu.br/index.php/manduarisawa/article/view/16196
<p><strong>Abstract</strong>: The following text analyzes the representations of "ultramontane politics" and its relationship with ecclesiastical heritage during the episcopate of Dom Antônio Castilho Brandão in Alagoas (1901-1910). The study focuses on the period following the Proclamation of the Republic, seeking to understand how Dom Antônio, aligned with the Catholic project of the time, managed the Church's assets, regulated religious practices, and disciplined the clergy. Recognized by his biographers as the founder of the diocesan seminary, Dom Antônio showed great concern for the management of the Church's patrimonial goods, as evidenced in his correspondence with the parish priests. Utilizing Cultural History (CHARTIER, 1989) and critical discourse analysis (FAIRCLOUGH, 2001), the study aims to unveil the elements and adaptations of the restructuring project of Catholicism in Alagoas during the early decades of the Republic.</p> <p> </p> <p>Keywords: Ultramontanism. Ecclesiastical Heritage. History of Alagoas.</p> <p><strong> </strong></p>César Leandro Santos Gomes
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2025-02-152025-02-159125História e Literatura: uma análise do livro “ NARRATIVA DE UMA CIDADE ENCANTADA OU ALEGORIA DE UMA HISTÓRIA TRÁGICA: DIÁLOGOS ENTRE HISTÓRIA & LITERATURA EM ÓRFÃOS DO ELDORADO, DE MILTON HATOUM”, do historiador Arcângelo da Silva Ferreira
//periodicos.ufam.edu.br/index.php/manduarisawa/article/view/16370
<p>Ferreira, por meio dessa análise, demonstra que Hatoum, ao desmistificar o Eldorado e explorar suas tragédias e esquecimentos, não apenas cria uma narrativa que desafia as versões idealizadas da história amazônica, mas também humaniza os indivíduos que sobreviveram às adversidades desse passado. Na resenha de Narrativa de uma cidade encantada ou alegoria de uma história trágica, Arcângelo da Silva Ferreira revela o potencial de Órfãos do Eldorado como uma obra que cruza fronteiras entre a história e a literatura para fornecer um entendimento mais amplo da Amazônia. Ferreira pontua como Hatoum oferece uma representação complexa e crítica que contribui para a desconstrução de mitos históricos, além de ressaltar as histórias silenciadas de sujeitos marginalizados. A obra de Hatoum, segundo Ferreira, não apenas se insere no imaginário literário da Amazônia, mas também propõe uma reflexão sobre a necessidade de revisitar criticamente o passado para compreender as contínuas transformações e desafios da região no presente. Assim, Ferreira consegue, de forma convincente, demonstrar que a literatura pode atuar como uma poderosa ferramenta de resistência e memória, especialmente em contextos onde a história oficial ainda privilegia os vencedores em detrimento dos vencidos. A resenha evidencia que Narrativa de uma cidade encantada ou alegoria de uma história trágica é uma leitura essencial para aqueles que buscam um olhar mais crítico e sensível sobre a Amazônia, convidando os leitores a enxergar além dos estereótipos e a refletir sobre a complexa relação entre história, memória e identidade.</p>Daniel Rodrigues de Lima
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2025-04-162025-04-16918